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The Charlatans UK - (2015) - Modern Nature [MP3][H33T][TBiC]

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Music : Rock : MP3/Over 256Kbps
The Charlatans
UK - (2015) - Modern Nature [MP3][H33T][TBiC]
4/8/2015

 

 

 

Artist:     The Charlatans
UK
Album:      Modern Nature
Genre:      Rock, Alternative Pop/Rock,
Alternative/Indie Rock, British Trad Rock, Britpop, Madchester, Dance-Rock
Year:       2015
Tracks:     11
Play Time:  00:47:12
Size:       115.84 MB
Codec:      MPEG 1 Layer III
Quality:    320 kbps CBR
Channels:  
44100 khz / Stereo
Tags:       ID3v1 ID3v2.3
Covers?:    Yes 
PlayList?:  .m3u and/or .wpl

 

For many years, the Charlatans UK were perceived as
the also-rans of Madchester, the group that didn't capture the Zeitgeist like the Stone Roses or the band that failed to
match the mad genre-bending of the Happy Mondays. Of course, they were more traditional than either of their peers.
Working from a Stonesy foundation, the Charlatans added dance-oriented rhythms and layers of swirling organs straight
out of '60s psychedelia. At first, the Charlatans had great promise, and their initial singles -- including "The
Only One I Know" -- were hits, but as Madchester and "baggy" faded away, the group began to look like a
relic. It was commonly assumed that their third album, 1994's Up to Our Hips, was the end of the line. However, the
Charlatans made a remarkable comeback in 1995 with their eponymous fourth album, which found them embracing not only the
flourishing Brit-pop movement, but also underground dance and techno, as well as their mainstay of classic rock. The
Charlatans UK debuted at number one, and the guys were hailed as survivors. Unfortunately, few knew how literal that
term was -- as the band was recording its follow-up album in 1996, organist Rob Collins, who had defined the band's
sound, died in a car crash. the Charlatans decided to continue as a quartet, and their subsequent album, Tellin'
Stories, debuted at number one upon its 1997 release, suggesting that they had become one of the great British
journeyman bands of the '90s.

At the time of their formation in 1989, it appeared that the Charlatans were
all about transience. Inspired by the emergence of the Stone Roses, Rob Collins (keyboards), Jon Baker (guitar), Martin
Blunt (bass), and Jon Brookes (drums) formed the Charlatans, rehearsing with a variety of vocalists before Tim Burgess
joined as their singer. The group attempted to land a record contract with no success, so they formed Dead Dead Good
Records and released their debut 12" single, "Indian Rope," in January 1990. Collins' dynamic, sweeping
Hammond organ distinguished the group from their Madchester peers, and the single became a number one hit on the indie
charts. By the spring, they'd signed with Beggars Banquet, releasing "The Only One I Know" a few months later.
Borrowing heavily from the Stones, jangle pop, and funk, "The Only One I Know" became a monster hit, climbing
into the pop Top Ten and becoming the group's signature single. Following another hit single, "Then," the
band's debut album, Some Friendly, was released in the fall, debuting at number one.

It was a remarkable
beginning to their career, so perhaps it was inevitable that bad luck hit early in 1991. As they launched their first
American tour, the Charlatans were forced to add "U.K." to their name since a San Franciscan garage rock band
from the '60s already had a claim on the name. The group returned to Britain, where they played a concert at the Royal
Albert Hall. Following the gig, Baker announced he was leaving the group. He was replaced by Mark Collins (no relation),
yet the group was sidetracked further by Blunt's bout with severe depression. By the time the group finally released
their second album, Between 10th and 11th, Madchester had become pass?, and the album was ignored by the public and
earned mixed reviews.

Despite their declining popularity, the Charlatans soldiered on, yet hit their biggest
setback in late 1992, when Rob Collins was arrested as an accessory to armed robbery. The situation had been entirely
accidental -- Collins had been drinking with an old friend and wound up following him into a liquor store -- but he was
sentenced to eight months imprisonment. Before he went into jail, he laid down the tracks for the band's third album,
which was released in early 1994, once he had left prison. Up to Our Hips received stronger reviews than its
predecessor, and its single, "Can't Get Out of Bed," was a bigger hit than anything on Between 10th and 11th.
It was the beginning of a comeback that culminated in the summer of 1995.

Prior to the release of the group's
eponymous third album, Tim Burgess sang on the Chemical Brothers' "Life Is Sweet," which re-established his
hip indie credentials and gave him, and the Charlatans, credibility in electronica circles. Appropriately, The
Charlatans UK demonstrated a deeper dance sensibility, as well as more concise tunes, and it unexpectedly entered the
British charts at number one. Following the release of the album, the Charlatans re-entered the front rank of British
rock bands and were at the peak of their popularity, as well as critical acclaim. The group was still unable to crack
the American market -- initially, they were barred from touring the country due to Collins' arrest -- yet they remained
popular throughout Europe and Asia.

As the band was recording its follow-up to The Charlatans UK, Collins was
killed in a drunk-driving accident as he headed to the studio. Although Collins was pivotal to the band's signature
sound, they carried on without him, completing their fifth album, Tellin' Stories, with the assistance of Primal
Scream's keyboardist, Martin Duffy. Tellin' Stories was released in the U.K. in the spring of 1997 to generally strong
reviews, and it entered the charts at number one. Two years later, Us and Us Only came out, followed in 2001 by the
dance-inspired Wonderland. The next year saw two releases, Live It Like You Love It, recorded live in the band's
hometown in December 2001, and Songs from the Other Side, a collection of B-sides from 1990-1997. the Charlatans' eighth
studio album, Up at the Lake, was issued in 2004, and two years later, Simpatico hit the shelves. In 2008, the group
released You Cross My Path on the Cooking Vinyl label.

In 2010, the band marked the 20th anniversary of the
release of Some Friendly by performing the album at Barcelona's Primavera Sound Festival. Their 11th studio album, Who
We Touch, was slated for release in September of 2010. During the supporting tour for Who We Touch, drummer Jon Brookes
was diagnosed with a brain tumor; Peter Salisbury helped finish off the tour, but Brookes showed up at year-end gigs
with the band. Burgess and Collins did a brief acoustic tour on their own in 2011 before Burgess began work for a solo
album. He returned to the Charlatans in 2012, with the group starting a new album and playing their 1997 album Tellin'
Stories in its entirety at two separate shows that summer; the June 8 show at HMV Hammersmith Apollo, London was
released as a live album that August. However, after several operations and ongoing treatment for his brain tumor,
Brookes died in hospital on August 13, 2013 at the age of 44. The Charlatans reconvened in 2014 to record their 12th
studio album. Entitled Modern Nature, the record appeared in January 2015.


 


The Charlatans are no strangers to loss.
Keyboardist Rob Collins died during the recording of their 1997 masterwork Tellin' Stories, and 17 years later they lost
founding member Jon Brookes to brain cancer. His absence hangs over 2015's Modern Nature, the first record the band has
made since Brookes' diagnosis in 2010, but the Charlatans aren't the sort to dwell in darkness. Tim Burgess alludes to
the drummer's presence on the album's opening "Talking in Tones" but Modern Nature soon settles into a nicely
worn soulful groove, a sound that suggests the group gains strength through the therapy of playing music. Happily, this
emphasis on soul gives Modern Nature a different character than Who We Touch, the nifty 2010 LP where they dabbled in
different sounds while retaining a solid song foundation. Due to its soulful undercurrents, this feels more unified than
Who We Touch and also contemplative, a record designed not for the black depth of night but the sepia tones of twilight.
Much of this haziness derives from the shimmering production, a sound that's mellow without succumbing to laziness. It's
a nice fit for cleverly retrofitted '70s soul grooves like "Tall Grass," but it also suits the handful of
songs like "Come Home Baby" and "So Oh" that echo the Charlatans' early Madchester swirl. By
incorporating these offhand allusions to the past while being firmly planted in a mature present, Modern Nature
showcases a band whose members are aware of where they've been and grateful for what they have. 

 

01 - Talking In Tones -
04:44 - 11.52 MB - 320 kBit/s - 102.01 BPM
02 - So Oh - 04:12 - 10.31 MB - 320 kBit/s -
104.01 BPM
03 - Come Home Baby - 03:59 - 9.82 MB - 320 kBit/s - 94.00 BPM
04 -
Keep Enough - 04:21 - 10.66 MB - 320 kBit/s - 86.01 BPM
05 - In The Tall Grass - 03:52
- 9.57 MB - 320 kBit/s - 94.02 BPM
06 - Emilie - 03:20 - 8.36 MB - 320 kBit/s - 128.01
BPM
07 - Let The Good Times Be Never Ending - 06:33 - 15.69 MB - 320 kBit/s - 132.01
BPM
08 - I Need You To Know - 04:41 - 11.44 MB - 320 kBit/s - 88.02 BPM
09 - Lean
In - 03:47 - 9.36 MB - 320 kBit/s - 134.05 BPM
10 - Trouble Understanding - 04:09 -
10.23 MB - 320 kBit/s - 90.01 BPM
11 - Lot To Say - 03:34 - 8.87 MB - 320 kBit/s -
90.00 BPM


 

Enjoy your download,

!!!  ROCK ON  !!!

Tim

P.S.  Don't be afraid to download
something/someone you've never heard of, that's the beauty of the internet, you might find a new favorite.  If not,
that's why God gave us delete buttons.

TBiC

                                                              

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